What can a model's hands do in life? Speed is not a term you hear in the processing world. Provide the fastest quotation for manual parts. Our production speed is unparalleled - many parts are programmed and processed in CNC centers on a day when orders are received. Our customers hope that their CNC parts can be processed quickly, and we also ensure that our CNC operation is always fast. It is also a key link for design to enter the manufacturing process.

　　模型制作的過程不僅是提高模型動手能力的技能訓練，更重要的是提高模型的動手能力。掌握以稻草模的形式探索和推敲設計理念的方法，提高對材料、形式、結構和加工的可能性的認識;2. 2. 為真正進入生產(chǎn)制造領域奠定基礎，使他們了解現(xiàn)代制造條件為產(chǎn)品設計提供的可能性和要求。為這些目的,現(xiàn)代工業(yè)設計模型的過程中不僅要注重設計理念的引入和知識,還包括更多的內(nèi)容和培訓相關的數(shù)字化制造,以便學生能掌握設計和研究方法基于草模和數(shù)字模型的知識和技術。

　　The process of model making is not only to improve the skill training of model hands-on ability, but also to improve the hands-on ability of model. Master the method of exploring and elaborating the design concept in the form of straw mold, improve the understanding of the possibility of materials, forms, structures and processing; 2.2. Lay the foundation for truly entering the field of production and manufacturing, make them understand the possibility and requirements of modern advanced manufacturing conditions for product design. For these purposes, the process of modern industrial design model should not only pay attention to the introduction of design concept and professional knowledge, but also include more content and training related to advanced digital manufacturing, so that students can master the knowledge and technology of design and research methods based on grass model and digital model.

　　模型中的部件是多么重要啊!眾所周知，手板式模型是設計師實現(xiàn)創(chuàng)意的數(shù)字化方式，它為設計師更準確地驗證設計方案提供了條件，但也進一步將設計師與生產(chǎn)過程分離開來。因此，許多學者和設計師開始抵制過于依賴數(shù)字化的模型制造方法。他們指出，在設計發(fā)達的西方，設計師更傾向于自己制作產(chǎn)品模型，在與材料的不斷互動中，精心制作細節(jié)，完善方案。該模型不僅以物化的方式呈現(xiàn)設計結果，而且更能代表設計的過程和部分，比草圖、計算機效果圖等表達方式更直觀、。完全依靠電腦和的機器制作模型，減少了設計師與材料和形式之間的互動，不可避免的降低了模型制作的意義和價值。

　　As we all know, the hand-held model is a digital way for designers to achieve creativity, which provides conditions for designers to more accurately verify the design scheme, but also further separates designers from the production process. As a result, many scholars and designers began to resist over reliance on digital model manufacturing methods. They pointed out that in the western countries with developed design, designers tend to make their own product models, elaborate details and perfect schemes in the continuous interaction with materials. The model not only presents the design results in a materialized way, but also represents the process and part of design more directly and comprehensively than sketches, computer renderings and other expressions. Completely relying on computers and advanced machines to make models reduces the interaction between designers, materials and forms, and inevitably reduces the significance and value of model making.